1 might assume that the reality depicted in the Confessions of dungaree=Jacques Rousseau was to a neater extent very because the book is an account of a real man's life, but it is still the ability of the writer to process and reshape the material of that life into a narrative which sends with opposites that makes the crap valuable. Rousseau has purposely written a book that differs in tone from his other literary productions and that was written not for his contemporaries but to ingratiate himself to future generations. The Confessions of Jean-Jacques Rousseau offers a non-dramatic, non-fictional view of male and female roles in the eighteenth century. The subject of this work is the author himself, standing as an example of a man of his time. The women described by the writer are all in traditional female favorable roles of mother, lover, and nurse. He sees the women--and most of the men--in his early life as flare examples to which he could aspire. As a young man, Rousseau had his won work cut out for him--he had to find a profession, apprentice himself to it, and
Emerson could have written this description of the male monarch of experience and the way it remains with the artist and shapes his life thereafter.
William Shakespeare embodies the paper expressed by Emerson in great degree, though it is more(prenominal) difficult to make direct connections between his experience and his writings because so little is known of his life compared to most writers. What is turn over is that he somehow soaked up the world of his time, including multitude from all social strata; many of the medical, scientific, artistic, legal, and political ideas of his day; and a wealth of knowledge, experience, and language by which he has been able to communicate with audiences for centuries.
Some of his plays are drawn directly from history, but it is a history that is made to live for the audience as no written history could because the characters are so real and so alive.
Emerson understood the role of the artist, and the writers discussed here, along with many other great writers, also lived what Emerson wrote about experiencing the world and reshaping it so it soars for other people.
sometimes the means of communication can be more opaque, requiring the reviewer to delve more deeply to find the meaning, as in the poem "The Love Song of J. Alfred Prufrock" by T.S. Eliot, a work with a similar theme about the debilitating temperament of the modern world. The world is sketched in a series of scenes--Prufrock at a literary tea, Prufrock walking on the beach, Prufrock in the fog. Always, the world is only partially seen by Prufrock himself, for the fog or the unremitting chatter or the crash of the surf prevents him from seeing more than a small portion of the world around him. For oftentimes of the time he seems lost, seeking answers that elude him as he grows older until those answers do not mean as more as they once did. The literary tea in exceptional links Prufrock with his creator, Eliot, much as Gregor's job is similar to one Kafka once had. Both writers are therefore
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