All three poets illustrate the limitations on women in a man's world. Bogan complains of a woman's inability to take "journeys" of menace and of wilderness that men routinely enroll in all the time. Pastan laments being graded like an errant student on her wifely and motherly duties, ones imposed upon her by men. Her husband gives her "an incomplete" for her ironing skills. In Woman, Giovanni's speaker yearns to be many things, but she cannot be fuck any of the things she desires because of her beloved's refusal to be what she unavoidably him to be to accomplish them, "She turned herself into a bulb / but he wouldn't let her grow".
Pastan and Giovanni blame the limited cond
The poem by Bogan addresses the limits on women in a man's world, but this speaker is angry that women play much(prenominal) a wishy-washy non-assertive division in the face of manly dominance. The speaker says women are "provident" instead of having "wilderness" in them.
They also have a love that is "eager guff" because it is either "Too tense, or too lax". Therefore, when the adventure and wilderness that comes in every whisper they hear cries out to them, the speaker admits they might as well let it go by with such a defeatist, inactive role.
tion of women on men and patriarchy. Pastan's poem is filled with rancorness and irony about being graded like a student on her mothering skills and even off her sexual performance. These are all duties thrust on her by men because of her gender. Although she does merit an "A" for cooking and a "B plus" in bed, the poem's ending expresses her disdain for her limiting and underappreciated role as mother and housewife. Giovanni's speaker is just as bitter about not achieving her own goals because the man she loves to make them come
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