The Post-War Architects

Their works accessible a seductive vision of the glamorous future machine age, however social and environmental difficulties have been left unaddressed" ("Archigram," Answers.com).

Archigram's surrealistic projects included these kinds of incredible concepts as Peter Cook's Plug-in City assembled from cranes, pods, Zeppelins, and flashing signs that could "roll into town, bolt together and plug itself in overnight" (Jacob). The concept of a moveable city, a suit that turned into a house, along with a property that could walk was an affront to conventional architecture and also a salute towards ability of technology to transform conventional buildings into vehicles.

One with the additional possible concepts was Ron Herron's Walking City, a collection of robot-like intelligent buildings in the form of giant pods that could roam the cities. The pods could move independently but could also plug in to way stations to exchange occupants or restock supplies ("Archigram," Answers.com). Herron's concept presents an alternative that allows persons to move their home any time they need a better place to live in, a capability that radically alters the conventional view of architecture and transforms a city from streets with rows of houses to a backdrop for a dynamic, ever-changing panorama wherever the property that was over a corner yesterday is across town today. Inside a sense, the Walking City was not much various from an RV, except that instead of traveling sedately on the highways and byways.

n spite from the drawbacks associated with trying to develop an actual Walking City, the concept itself is intriguing and full of possibilities. Archigram's hep new ideas brought a fresh wave of optimism to Britain's otherwise dreary, cookie-cutter notion of cities (Sorkin). Instead of becoming anchored to traditional housing concepts, Archigram blew the lid off and invited fantasy to meet utility. As David Greene pointed out in 1961, "You can roll out steel any length. You are able to blow up a balloon any size. You may mould plastic any shape" (Thomas).

Adam Greenfield issues out in "Two psychogeographies: Archigram and the Situationists,"

The Archigram ? set itself the work not of revolutionizing architecture, but rather from the way of considering about it. The limits of its investigation have been the relationship in between cities and the new technologies of information, movement and perception. Fun, play and pleasure have been the rationale for archigrams projects, not as recreation, the pause that refreshes, in between stretches of productive labour, #but as an epistemology and an end in itself ("Peter Cook"). #

Sorkin, Michael. "Metropolis What Goes Up: Incredible Archigram." April 1998.

Although a Walking City has much to recommend it the capability to escape a damaging neighborhood, a way out of the polluted environment, a workaround for your

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